Teaching could very well be defined as the art of using
things for purposes other than they were intended. Such a definition describes my use of the
Tibetan singing bowl.
A Tibetan Who?
From my layman’s knowledge of the purpose of a Tibetan
singing bowl, I can say that they are used by monks in Tibet for
meditation. Singing bowls are more of a
musical instrument than a bowl, and I wouldn’t recommend using it as a bowl,
either. They are made perfectly round
and tuned so that they give a pleasant ringing sound when lightly struck with a
rounded stick. The key to making them
sing, rather than ring, is to run the rounded stick along the rim of the bowl,
always applying pressure directly toward the centre of the bowl. The meditation activity is to concentrate
long enough to keep the bowl singing for as long as possible. The bowl usually sits in the palm of your
hand, and you can stop it from ringing or singing instantaneously by curling
your fingers around it.
I used to sing to get my students’ attention, but now I let a bowl do
it for me!
I use my Tibetan Singing Bowl to get the class’s
attention. If I need them to be quiet so
that I can tell them something, or if we’re doing an Inside-Outside Circle
activity, then I simply ring the bowl to get their attention or signal them to
move on to the next person. If I’m
having trouble getting the students attention, and they continue to talk even
after I’ve signaled them to listen, then I just make the bowl sing until
everyone’s quiet.
Where can I get one?
I got mine at the CNE one year and paid $35.00 for
it. However, I’ve also seen them at
Green Earth and on Amazon. I would
recommend that you listen to the bowl before you buy it. You wouldn’t want to order one online and
then discover that it’s too big or that you hate the sound it makes.
What’s nice about it?
It saves your voice
The main reason that I started using a Tibetan singing
bowl is because with all the other talking that a teacher has to do in a day, I
was really straining my voice. If you’re
speaking loudly to get students’ attention, that’s even worse. If teachers are always using their voices to
yell overtop of a classroom full of chatting students, then what will be the
long-term effects on their voices? As a
new teacher, I’m interested in finding practices that I’m not going to regret
having taken up at the end of my career.
It saves time:
How much time do teachers waste in a day, or in a year,
getting students’ attention? It would
probably add up to some ridiculous sum, like seven instructional days. The Tibetan singing bowl offers a clear and
consistent way of getting the students’ attention, and consequently saves time
and frustration (after all, you are technically meditating).
It’s not an unpleasant sound:
The sound that a Tibetan singing bowl makes is rather
pleasant.
It’s not a whistle:
If someone were to use a whistle to get my attention
outside of a Physical Education class, I would not be thrilled. The connotation is that I’m an unruly dog.
It’s not a bell:
Bells to get students’ attention have reached the point
of tired cliché.
It’s an endless source of fascination:
When I used the singing bowl on one of my practicums, I
found that students were endlessly fascinated by it and that having a chance to
hold and try the singing bowl could be an effective reward for good behaviour.
It’s not easy to use:
It takes a bit of practice to make a Tibetan singing bowl
sing. In other words, if your students
pick it up and try to use it, they’ll be able to ring it, but they won’t be
able to produce that sustained ringing sound, especially if their fine motor
skills are still developing. Just be
careful not to drop the bowl. If it gets
dented, it won’t work anymore.
You’ll be THAT teacher:
Who doesn’t want to be that quirky teacher that students
talk about amongst each other and who will be remembered fondly in the years to
come?